Brillo/Contraste de Imagen

An Image Adjust Tool is a precision color-correction utility used to modify the fundamental visual properties of a photograph. This tool is essential for photographers, e-commerce marketers, and graphic designers fixing "Dark" photos, vibrantizing dull colors, or ensuring product photos match real-life shades.

Implementation & Processing Pipeline

The processing engine handles color correction through a rigorous three-stage histogram pipeline:

1. Luminance Mapping: The tool analyzes the distribution of light and dark pixels to determine the current Exposure and Contrast levels.
2. Channel Modification: The engine modifies the pixels based on your input sliders:
   • Brightness: Uniformly shifts the value of all RGB channels.
   • Contrast: Increases the distance between the lightest and darkest pixels to make images more "Pop" or "Flat".
   • Saturation: Increases the intensity of the color hues.
   • Hue Rotation: Shifts colors around the Standard Color Wheel.
3. Gamut Clipping: The tool ensures that modified colors stay within the visible range (0-255) to prevent "Blowing out" highlights or "Crushing" shadows.
4. Reactive Real-time Rendering: The "Corrected" preview and a live "Before/After" comparison update instantly as you drag the adjustment sliders.

How It's Tested

We test the adjustment engine against critical color behaviors to ensure predictable edits.

1. The "Saturation" Check:
   • Action: Increase saturation on a purely grayscale image.
   • Expected: No change should occur (mathematically 0 * 1.5 = 0); no false colors should appear.
2. The "Brightness Floor" Test:
   • Action: Set brightness slider to minimum (-100%).
   • Expected: The result must be a pure black image.
3. The "Hue Rotation" Logic:
   • Action: Rotate hue 180 degrees on a Red (255,0,0) image.
   • Expected: The result must be Cyan (0,255,255), its exact complementary color.
4. The "High-Bit Depth" Safety:
   • Action: Adjust a 16-bit PNG.
   • Expected: The tool processes it (typically downsampling to 8-bit for canvas) without crashing or corrupting the file header.

The History of Adjustment

Adjusting light and color reflects the core quest of photography: capturing reality.

• Dodge & Burn (1900s): Ansel Adams and early darkroom masters physically blocked light with their hands to brighten or darken specific parts of a print.
• Digital Color Grading (2000s): The movie "O Brother, Where Art Thou?" was the first to be entirely digitally color-graded, proving that "reality" could be painted in post-production.